When I went to Woolwich yesterday to examine the scene after the murder, it wasn’t long until I witnessed a backlash action by the far right organisation EDL. Local young people of minority backgriund suspected it and spoke of fear of being penalized for the actions of some crazed loonies. There were some exchanges between the police and the EDL supporters, absurdly some of the EDL people had full pints of beer, a woman came with something that looked like a Martini, as if they had emerged from a pub.
I managed to quietly speak with three EDL supportes who explained to me quietly that they had enough, and felt urge to protest. Not all however were quiet there was quite some shouting and posturing as well in general. Some of the fans were rather young (15-18, and they seemed to have come from across the entire area).
www.taz.de/Nach-dem-Mord-in-London/!116732/Select link above and use googletranslate to get an English tranlation of the German original on the Online version of the article in Taz.
This new piece for Resonance FM, London 104.4 is really a “re-cut,” using material from a documentary produced for a German audience and aired on Querfunk. (listen here) It was totally re-edited from the original material elaborated on and new material was also collected.
My main aim was to examine the case for food co-ops. This was not going to be a feature about supermarkets and what they are about, although some of that was included, because it forms the basis of why many start up food co-ops. Armin Valet of the Hamburg Consumer Council and Majorie Stein of Eden Farms make their cases on this quite well. Those who want to know more, may want to watch the 2011 BBC Panorama feature ’Supermarkets: What Price Cheap Food ?’ which is available on you tube.
In the German original one of the key persons talking the listener through was Santa Meyer-Nandi of Finding Sustaina an UNESCO (Germany) award wining blog. She was an interesting person both in terms of what she said to me over the mic, as she walked me through the The People’s Supermarket (TPS).
But also because she later left TPS to join the work-force of a local fine foods store situated in the same street as TPS called Kennard’s. Meyer-Nandi felt that TPS had damaged this local store by selling some of the same goods and offering cooked meals. Meyer-Nandi believed that a supermarket ought to also relate to other local stores and have” gentleman agreements” on what they sell and do not sell. Kennard’s weren’t willing to comment on this, and about five months ago they had closed down. If it was really down to TPS or due to other reasons I can not say. Probably a mixture of reasons.
Other things that were different with the new edition were the fact that I sought to speak with Waitrose and The Co-OperativeSupermarket chains. Both asked me lots of questions beforehand about the content of my questions and my intentions. So much for corporate damage control. Waitrose was also very keen to know who I spoke with at the Co-op.
After 14 days wait Waitrose said they were unable to provide me with “the right person to speak to” as he or she, was now abroad, even though I had offered to call the person regardless of location. Neither was Waitrose able to get somebody down to their new London Stratford showcase supermarket and walk me around there. They said it was because the local store manager could not do this, and the people who could were at their HQ miles away. On the other hand, I have attended an evening on London Air Quality, where a John Lewis / Waitrose official outlined some quite remarkable policies on how they would reduce emissions in their fleet, including hybrid and electrical vehicles and using gas produced from waste to power some. But the Local Government Authority felt that Waitrose was not yet one of their best performers. In the end Waitrose provided me with a written statement which I used in the documentary.
The Co-operative Group was able to offer me with one of their busiest regional secretaries, he was very informative and gave me over 30 minutes of his time. In the programme a tension came up between Kate Bull and Graham Hammond on the issue of getting a loan as a co-op. Bull argued the Co-operative Bank was not forthcoming for loans, whilst Hammond argued they help new forming co-ops. Originally I had another musical interlude in the feature. I had edited in the Co-Op’s 2011 Join the Revolution TV and Film advertisement and music, openly available on youtube, to introduce Graham Hammond, but my contact from the Co-Op Group media department argued, to my great surprise, that the department could not approve the use, because of the artistic copyrights involved. It sounded rather strange to me, and perhaps they were worried that their ad was going to be misused. In any case I took it out again. You can hear or watch it here though:
The Fair Shares Food- Co-op was quite a remarkable little place. I quite liked it but it does have restricted opening hours. I have never bought oat grains as cheaply as from them. In the original German version I described Fair Shares as a “remarkable store in the chaos of an urban city centre.” I noted, that ‘where elsewhere stores install CCTV circuit cameras and hire security guards and detectives, here is an example of a store that has none of these features, and even believes the customer’s own calculations of how much the product is she is buying.’ Kevin said they were only once ripped off and on that occasion the customers handed the goods back. Still it was disappointing that they had opted for a blank boycott of Israeli goods, especially given the fact that with the co-operative Kibbutz Movement, and the associated co-operative Moshav Movement. I know at least one Kibbutz, that has been known to be particularly outspoken on Palestinian – Israeli issues, Kibbutz Givat Haviva (but it was only in 2008 that a Palestinian with Israeli citizenship became Israel’s first Kibbutz member). A blank boycott may be also detrimental to all positive forces within Israel. Gush Shalom, the peace campaign founded by Uri Avneri’s has for example said, that those who wish to boycott due to positions against the occupation of the West Bank, should be more specific and had issued a list to boycott specific produce from the settlements, which is now going through legal challenges in Israel. Whether or not boycotts themselves are a productive force is a matter of much discussion. My personal opinion is that the situation is a far more complex one, and that if Israel is singled out for a boycott, those who support it must ask themselves why only Israel is chosen from a plate that is full of other countries that may be held to be politically unjust. I had personally chosen to commit myself for many years to a Jewish Israeli – Palestinian peace village, Wahat al-Salam – Neve Shalom instead, with real people who live and work the future most of us wish for in the Middle East, and whose UK media liaison person I was (via British Friends).
The Battle Hymn of the Co-operations played in my documentary is probably the first time you hear the track since the 1930s. I found it mentioned on the web. It was written by Elizabeth Mead and Carl Ferguson in 1932 and is thought to be a pre-curser of ‘Solidarity for Ever,’ both based on the Battle Hymn of the Republic. The artist performing it in my documentary is called Tom Smith who is a London based jazz drummer and music teacher. The song was was specially performed and recorded for this feature. You can listen to the full version of the song here: https://archive.org/details/CorporationSong
Since the recording The People’s Super Market have decided to use extracts of the song as their current jingle tune mixed with statements by some of their members.
There is one piece I have not included in the feature. It is Nelson Fernandez who is the Green Grocer of The People’s Supermarket .
I thought his evidence being quite hard touching especially the bit about getting a job and falling in love with another shop assistant.
I had to think of Bruce Springsteen’s Queen of the Supermarket when he told me his story…
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“A Better Way?” was produced and presented by Daniel Zylbersztajn / dzx2.net
Dan – very much enjoyed your piece on Resonance – congratulations. Jamie
Really enjoyed listening to the recording. Although I am not a big fan of Co-operatives as they tend to serve a few – reminds me of gated communities in Zimbabwe or India (even there any one can join). The arguments of co-operatives are valid and promoting this to others (particularly to the young ) is very worthy. In this you are playing the most active part. I am sure most co-operative would aim to get their message to all kids at schools (not just their children who would usually tend to be from middle class families). It would have been interesting to hear how they are going about doing this. Change happens when the majority disapprove having made an informed choice. I believe that it is possible to get the big supermarkets to change – this would serve the majority ( not forgetting the jobs they provide and sometimes housing to the local community). The woman towards the end spoke about people’s choice and yet the need to be profitable is how I see it operate – yet holding on to ones principles. On the other hand many farmers are provided subsidies and don’t even need to produce anything! The basis of these subsidies should be based on providing produce for school dinners and our hospitals at the least. Well done and keep up the good work. Jerome
Punch and Judy and and German Kasperl have not much in common or so it seems.
My latest contribution to Deutsche Welle examines this further. DW has released
a printed version prior to the audio feature.
Feature was aired on 13th of March 2012 on World-Link (Deutsche Welle). Please contact DW to request a copy of the podcast (E-Mail Link) if you missed it, or Read the Article on DW here!
So what on earth got me to do this feature? It was about two years ago that I encountered Punch and Judy first with my daughter in St George’s Park, Holborn on St George’s Day. I thought we were going to see what I knew as a Kasperl show, but was taken back when I saw Punch whom I thought to be Kasper, hit everyone of his characters. To my amazement my daughter stomached it but I came out outraged talking to my friends about the brute Brits. A year later on another show near Covent Garden, my daughter’s friend, they are French – Irish, run crying away from the show, whilst my daughter quite liked it. At the end of the show I spoke to the puppeteer, who turned out to be Geoff Felix, a Punch and Judy puppeteer of many years experience, who as I later found out kept a whole historical archive on the show. I asked him why it was so different from the German version and it was him who first suggested to me that actually there was such a play in Germany, but it was transformed, his real words were “sanitized” through the Nazi Reich. So this story it seemed wasn’t so much about the supposed brute Brits, but about the even more brutal Germans.
This really drew my curiosity. I had never head such a thing. Was it true? I kept the idea in my head, and made sure I took all the essential details from Geoff. I few months later I found myself in the Munich city museum in the puppet exhibition. And there I saw to my astonishment that in deed Kasper prior to 1932 was the villain you recognize as if you are British.
After some research and the fact that Punch and Judy’s 350th anniversary was about to come up I pitched BBC World Service with my idea to run the story why the puppet plays would be so different in the two countries, Germany and the UK. The BBC answered to my astonishment with “definitely not!” It still puzzles me today why it was the BBC – who was after all are based in Punch and Judy’s home-country- that felt the story was not worthwhile. I wondered if perhaps they had a negative view of the show, being “violent,” and part of children entertainment at the sea-side. Neither was the Sueddeutsche Zeitung in Munich interested, the paper being based near the home of the German 1920′s Kasper assemble inside the Munich City Museum. The German weekly Die Zeit was interested, but felt the style wasn’t right, perhaps they wanted it more in a more arty way, which is quite unlike the tradition of Punch and Judy, rooted in impoverished working class puppeteering. But my editor at Deutsche Welle called me within minutes of telling him about the idea. He is an American living in Cologne for some time now and like any migrant has to negotiate two cultures, in his case the very differences between Anglo-Saxon and German culture that my feature attempted to investigate.
Slowly a picture began to emerge. After speaking to Manfred Wegner from the City Museum of Munich, who oversees the permanent puppet exhibition I was just as unsettled about the civilised tamed Kasperl as I was initially about the portrayed violence of Punch and Judy. This conflict made me contact Prof. Andrew Tolmie at one of Europe’s leading centres in child psychology.
There are still no definite answers, but I think if one contextualize either play tradition, they both of their right place in the imagination of a child. It is worth pointing out, that neither Punch, Polcinella, nor Kasperl at their beginnings were actually part of children theatre, but pointy and witty adult entertainment. They evolved into the children’s genre only gradually. Whilst violence is till displayed in every Punch and Judy, one thing that isn’t is the once traditional use of animals, in particular a little dog usually called Toby, nor will you find an African character that only speaks gibberish. I was told the reason is simple. A puppeteer plays to a live audience, if he plays things that the majority of an audience dislikes, he is out of a job.
Another comment I like to make is that the friendliness of all the puppeteers I met was remarkable and quite above the norm. These are thinking people who enjoy entertaining children for their genuine laughter. It isn’t always easy living, and I heard about quote a few injuries to, either to backs or shoulders, and playing puppets is quite physical, but regardless it seems that once they start playing they almost can’t stop it. Geoff Felix said to me that there is a saying among Punch and Judy players: If you look after Mr Punch, he will look after you!”
Punch and Judy’s 350th birthday was celebrated at Covent Garden on 12th of May 2012.
