Olympic
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Deutsch – bitte direkt zu meinem Bericht in der Taz: https://www.taz.de/Irre-Londoner-Olympia-Bilanz/!120347/ English: It was not to be believed. After a successful hosting of the Olympic and Paralympic Games which apart from the sponsorship deals and gentrification issues went fairly well, the British government could not do better but put some dirty spin over it.
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Ich habe meine nahezu 50 Berichte der Londoner Olympiade und der Paralympics sortiert. Gleich vorne ran findet man die besten acht Berichte (meine Wahl). Siehe auch Liste London 2012 oben I have organized my nearly 50 reports from the Olympic and paralympic games. Right in front are the best eight (my choice). One is in
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Meine letzte Kolumne der London Eye Serie Link: www.taz.de/1/archiv/archiv/?dig=2012/08/14/a0103 In ihr beschreibe ich Wege die Londoner vorschlugen, um Glücksgefühle auch nach der Olympiade anhalten zu lassen. Die Kolumne erschien in Der Tageszeitung am Dienstag 14. August 2012. My last commentary ending my Olympic series “London Eye!” www.taz.de/1/archiv/archiv/?dig=2012/08/14/a0103 Its theme was what measures Londoners advised
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Ist britische Olympiaberichterstattung einseitig? Is British olympic reporting biased towards only one country Team GB (German article)? www.taz.de/1/archiv/digitaz/artikel/?ressort=hi&dig=2012%2F08%2F02%2Fa0161&cHash=21c24b713f
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Meine Olympia Kollume London Eye, spricht heite ueber Geister in London. My daily Olympic columne in the TAZ (German). This time about Ghosts…. (referring to claim of London as ghost town during Olympic Games) http://www.taz.de/Kolumne-London-Eye/!98470/
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This is raw footage of a demonstration of around 400-500 people at Mile End London against the Olympics on 20/07/2012. Material can be acquired for commercial media use and is not available freely to commercial media. Non Commercial use only by quoting in full “UK based Journalist Daniel Zylbersztajn, (contact dzx2.net)” with link. You should
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“As we bear witness to a city cloaking itself in the robes of wealth and prosperity at the expense of its everyday populace, Bread and Circuses found a rupture point: the empty house belonging to Anish Kapoor. Through the material lens of that which we don’t see, the group used the house to engage with
